The Factory World is very similar to Stephen King’s Dark Tower series, Tad Williams’ Otherland series, or the screen adaptation of Mutant Chronicles. With dark and gritty tones, vivid and unsettling imagery, a mixture of science fiction, fantasy and horror elements and a milieu-based story structure, The Factory World draws inspiration from thirty years of slipstream cross-genre novels.
Ten year old Simon wakes up in an outflow pipe in an abandoned factory in a dark and strange world, where purple meteors rain down and scour deep black holes through the earth. He is dressed in a Lion costume from a play of The Wizard of Oz and meets a nameless stranger whom he calls The Tin Man. Together, they roam an eerie and ominous world and encounter strange and terrifying creatures and wondrous technologies, all in the search for a way to return home.
The post-apocalyptic fantasy setting immediately felt like I was reading Stephen King’s The Gunslinger, and as the Wizard of Oz elements started showing up I felt like I was reading King’s Wizard And Glass. Normally, it would be a compliment to be compared to something as epic and masterful as Stephen King’s magnum opus, but in this instance Ryan falls flat. The author’s voice and ideas are lost in the comparison to King; The Factory World is too similar and disappears beneath the shadow of a greater work. Ryan’s world has many brilliant ideas and concepts which are unfortunately often glossed over when they should have been expanded; despite the vivid and fantastic imagination the world lacks a critical depth that makes it feel real and cohesive.
There wasn’t enough characterization to make me care for the protagonists; any initial emotional connection I felt was soon lost as the book progressed. However, luckily for Ryan, the protagonists weren’t the main characters. The true hero of this book is the world itself; it is a reflection of our own subconscious, a dark and confusing and scarred entity struggling to survive.
#Warning: the following part of this review contains spoilers and will majorly disrupt your enjoyment of the novel if you have not read it. Please do not read any further if you have not yet read this book and intend to.
The ending of The Factory World was a severe disappointment. After what builds itself up for a powerful and climactic ending, the author ends with an epilogue showing us that it was, in fact, all a dream. Seriously. It’s the same ending that we all used on our creative writing assignments at school when we were eight years old. This ending killed any enjoyment of the book for me – what could have been a fantastic and intriguing journey was suddenly halted by a lazy ending that is offensive to the reader. However… this ending could have worked, if Ryan had foreshadowed it in the book correctly. It is true, the characters question if anything is real – just as we all do at some confusing and distressing point in our lives – but this merely humanizes the characters, it doesn’t justify the cop-out ending. For a “dream sequence” to be valid, it must be integral to the plot. Even without embedding meaning and metaphor into the book, Ryan still could have linked the ending to the beginning of the book by changing the very first line from:
“Simon woke in the drainpipe and was cold all over.” to:
“Wake up. Simon woke in the drainpipe and was cold all over.”
That simple addition would have made the audience read the ending and go, “Ohh, I see,” instead of saying, “Really? That was it?” None the less, still a mostly entertaining read. The most important parts of a book are the first and last chapters, and unfortunately such a weak ending heavily impacts the overall feel of the book. 4/10 stars.